Print with Pete Castle

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(cotton based)Ceramic transfer paper/ Carbon paper/ Graffitio ceramic paper – connections to Grayson Perry the print and narrative

Lino cut/prints as well as laser cutting using that as templates or layers

Monoprint – transfer and layers

looking at the process and outcome Density

Surficing, transparency and opacity, dryerActions and mark making

positive and negative, the repetition, sequence, process

Collogrpahs layers of materials combined, collage

Oil based lithography, similar to Lowri davies, sketchs into a print

photography into print, (wet photography??)

silk screen and edit

Fabrics

englaze, enamel, oxides, layered together to form a glass

egg tempera(experimentation)

reducing medium 760-820

temperature is a way of controlling one outcome masks

thicm and thin – aspect of lighting and shadowing

theres the option of editing and altering, firing is a slow process of 5/10% every two hours

OHP paper is a good use and carbon paper

5 glazes average for on piece

Underglaze + flux + nepheline syenite 1220 + feldspar 1280 = 5%

“Burnish”, “pouncing” ; Graphite

image + colours = 3D surface (raise)

 

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