Currently having a day of constant questioning about my work.
Why do we practice in ceramics, creativity, practice of material – pushing the limits to find further exploration of the material, for tableware, for sculpture, for new visions – but how does this help others?
Why am I making the work I am making, playing with shapes and pictures
My work is very primitive and primary
I’m remembering just how much being an artist, supporting my ideas, as well as working in ceramics – the skill and craftsman ship takes so much time and a lot of seriously hard work
I feel as though I have to use glazes on my work, but I feel this would take away the attention to the ceramic forms
it would be an overload and overstimulating piece of work
what is happening with the curation of work?
i need a bigger space for applying my work as a curated project
making another silhoette
because i like it
its in the shape of the pot as a replica of my smaller stacked pieces
BUT i want to take ceramics away from the pot form
otherwise i feel I’m following the guidelines of the generic potter- what outsiders see ceramics to be
i need to start creating a new pathway a new realm for ceramics to be further explored
forms and outcomes that we may not realise even existed
giving work value
making in the process of expressing ones self
vessels created through sense of rituals – source of civilisations and culture, it’s about bestowing a form
a shared meaning develops in a vessel which goes above and beyond what is necessary in life
relating to what is sublime and greater
an intended blurriness that will hopefully lead to a concrete assertion