Spray booth and kiln firings

In the end I decided to go for complimentary colours starting off with the easiest form and ending with the hardest. I spray around 30-40 layers on the work then with great difficulty try to transport it into the kiln, involving kiln props as rollers under the kiln shelf and a basic knife to move the work over.thumb_IMG_0089_1024 thumb_IMG_0092_1024 Always having a beautiful texture on the base holding the work.

thumb_IMG_0100_1024 thumb_IMG_0103_1024 thumb_IMG_0105_1024 thumb_IMG_0107_1024Dealing with problems such as fingerprints was fixed by a small spray gun once the work had been put into the kiln.

thumb_IMG_0108_1024 thumb_IMG_0111_1024Now to decide the colour of the last, big central piece of work.


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